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The Triangle
Kalinda is a page in Mwanga's palace. His life is centred on pleasing the Kabaka. The beauty of Mwanga's second wife, Nagawa, threatens his relationship with the Kabaka. Nagawa desperately wants to give Mwanga an heir, but the religious war with in Buganda, coordinated by Reverend Clement tests Kalinda and Nagawa's loyalty towards their Kabaka.
Nakisanze Segawa was born in the Luweero Triangle. She is both a fiction writer and a Luganda performance poet. Her poetry and short stories have been published by Jalada and Femrite. Nakisanze is a contributor to both the Daily Monitor and Global Press Journal.
Nakisanze Segawa was born in the Luweero Triangle. She is both a fiction writer and a Luganda performance poet. Her poetry and short stories have been published by Jalada and Femrite. Nakisanze is a contributor to both the Daily Monitor and Global Press Journal.
370 pages, Paperback
Published January 1, 2016
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Displaying 1 - 2 of 2 reviews
April 30, 2022
Highly recommended for anyone interested in the history of the Buganda Kingdom, the Kabakas and the Ugandan martyrs. Really good read!
October 22, 2017
Summary: Set in Buganda, during the reign of Queen Victoria, the novel narrates through the eyes of three figures intra-tribal struggles fed by competing colonial powers, weakening African rule, and ultimately leading to colonial rule under the British.
Nakisanze Segawa is a Ugandan writer and performance poet. She has contributed short stories to various anthologies, writes for the Daily Monitor and Global Press Journal. This is her first full-length novel.
The Triangle looks at the transition from tribal to colonial rule in Buganda (modern day Uganda) through three characters, each dependent in different ways upon the tribal chief or kabaka, Mwanga (Mwanga is an actual figure in Bugandan history). Nagawa is Mwanga’s second wife, hoping to bear a son who will eventually be kabaka, before one of the other co-wives. Kalinda is one of the kabaka’s pages, a servant in the royal court, and an intimate in several senses of the kabaka, who seems of late to have lost favor. Reverend Clement is a Church of England missionary, seeking to win converts, which means convincing people to leave the traditional ways, while yet courting the favor of the kabaka.
“Triangle” is a fitting image for the progression of this story, not only because of this particular set of three characters, but other triangles that run through the book. “Triangles” in relationships often reflect either three competing parties, or one party caught in a tension between two others. Such tensions run through the book. There are three wives all wanting to bear the future kabaka. Court pages, compete for the favor, including the sexual favors, wanted or forced, of the kabaka, who seems more interested in them than his wives, particular Nagawa. Sekitto, in particular has become the new favorite of the kabaka, supplanting Kalinda, and the increasingly disfavored Bukenya, a Catholic convert who has the temerity to plead for the life of a Bishop who did not take the approved but longer route to Buganda.
A religious triangle of Anglicans, Catholics, and Muslims, compete for the religious affections, and control of the kabaka-ship. Back of these religious interests are commercial and colonial interests of Muslims, French and English. Mwanga has two brothers, who also are in line for the position of kabaka if Mwanga can be displaced.
As one may imagine, the noble aspirations, the commonplace longings for a peaceable existence, and the baser instincts of people clash. The kabaka and his premier recognize the encroaching threat of Christianity upon tribal ways and leadership, resulting at one point in Clement’s imprisonment, and his witness of the horrible martyrdom of both Anglican and Catholic converts. Brothers with Muslim allies succeed in deposing Mwanga who flees in exile, along with Christians who eventually become his allies. Kalinda aids in the overthrow, obtains high office, and then flees in turn when one brother eliminates the other, and Muslim control of tribal leadership becomes complete.
The latter part of the book chronicles Mwanga’s exile and plots to regain his position, bringing him increasingly under the sway of Reverend Clement and his British friends. Clement’s work becomes as much about guns as the gospel and we begin to see how the spiritually motivated missionary becomes entangled in imperial interests.
Segawa’s triangle of central characters around the embattled kabaka, Mwanga lead us into the competing and interlocking tensions that help us understand something of the dynamics of how an African kingdom might have been fatally undermined leading to British control under the British East Africa Company. Even as we root for Nagawa to conceive a child, for Kalinda to survive through the shifting alliances, we also see a ruler struggling to maintain a way of life during the colonial powers “Scramble for Africa.” We witness the nobility and courage of converts to Christianity as they are martyred, and the compromises with temporal power made by missions that undermined the spiritual power of their message. Segawa weaves all of this together in a powerful first novel.
____________________________
Disclosure of Material Connection: I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own.
Nakisanze Segawa is a Ugandan writer and performance poet. She has contributed short stories to various anthologies, writes for the Daily Monitor and Global Press Journal. This is her first full-length novel.
The Triangle looks at the transition from tribal to colonial rule in Buganda (modern day Uganda) through three characters, each dependent in different ways upon the tribal chief or kabaka, Mwanga (Mwanga is an actual figure in Bugandan history). Nagawa is Mwanga’s second wife, hoping to bear a son who will eventually be kabaka, before one of the other co-wives. Kalinda is one of the kabaka’s pages, a servant in the royal court, and an intimate in several senses of the kabaka, who seems of late to have lost favor. Reverend Clement is a Church of England missionary, seeking to win converts, which means convincing people to leave the traditional ways, while yet courting the favor of the kabaka.
“Triangle” is a fitting image for the progression of this story, not only because of this particular set of three characters, but other triangles that run through the book. “Triangles” in relationships often reflect either three competing parties, or one party caught in a tension between two others. Such tensions run through the book. There are three wives all wanting to bear the future kabaka. Court pages, compete for the favor, including the sexual favors, wanted or forced, of the kabaka, who seems more interested in them than his wives, particular Nagawa. Sekitto, in particular has become the new favorite of the kabaka, supplanting Kalinda, and the increasingly disfavored Bukenya, a Catholic convert who has the temerity to plead for the life of a Bishop who did not take the approved but longer route to Buganda.
A religious triangle of Anglicans, Catholics, and Muslims, compete for the religious affections, and control of the kabaka-ship. Back of these religious interests are commercial and colonial interests of Muslims, French and English. Mwanga has two brothers, who also are in line for the position of kabaka if Mwanga can be displaced.
As one may imagine, the noble aspirations, the commonplace longings for a peaceable existence, and the baser instincts of people clash. The kabaka and his premier recognize the encroaching threat of Christianity upon tribal ways and leadership, resulting at one point in Clement’s imprisonment, and his witness of the horrible martyrdom of both Anglican and Catholic converts. Brothers with Muslim allies succeed in deposing Mwanga who flees in exile, along with Christians who eventually become his allies. Kalinda aids in the overthrow, obtains high office, and then flees in turn when one brother eliminates the other, and Muslim control of tribal leadership becomes complete.
The latter part of the book chronicles Mwanga’s exile and plots to regain his position, bringing him increasingly under the sway of Reverend Clement and his British friends. Clement’s work becomes as much about guns as the gospel and we begin to see how the spiritually motivated missionary becomes entangled in imperial interests.
Segawa’s triangle of central characters around the embattled kabaka, Mwanga lead us into the competing and interlocking tensions that help us understand something of the dynamics of how an African kingdom might have been fatally undermined leading to British control under the British East Africa Company. Even as we root for Nagawa to conceive a child, for Kalinda to survive through the shifting alliances, we also see a ruler struggling to maintain a way of life during the colonial powers “Scramble for Africa.” We witness the nobility and courage of converts to Christianity as they are martyred, and the compromises with temporal power made by missions that undermined the spiritual power of their message. Segawa weaves all of this together in a powerful first novel.
____________________________
Disclosure of Material Connection: I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own.
Displaying 1 - 2 of 2 reviews